Left - Silver-Garburg Piano DuoPart of the Opera House’s “Kids at the House” series of concerts and shows designed to introduce young children to various areas of the performing arts, The Little Mermaid is an absolute delight. Designed to be accompanied by a narration of Hans Christian Andersen’s classic tale, the score by Lior Navok (misspelled in the programme) is performed by a chamber orchestra and the Sliver-Garburg Piano Duo, and augmented by some unobtrusive lighting effects, resulting in a highly enjoyable multimedia show for parents and children.
Although a very recent (2007) work, Navok’s composition is of an elegant and digestible style that will hopefully engage small kids and perhaps instill in them the first stirrings of an interest in orchestral and classical music. Even if it does not, the experience will doubtlessly be an entertaining one, with the images of swimming fish projected around the concert hall providing a visual component, and the story being told not only by music but also by narration.
And what wonderful narration it is. Performed by the radiant Deborah Mailman, this simple act of storytelling is a treat, and in a more intimate setting could work quite effectively without any music or effects. As it is, the combination of instrumentation, voice and light is an engaging and transporting experience.
Mailman’s performance is excellent, using both her vaunted skills as an actor with pertinent experience such as her one-woman show The 7 Stages of Grieving as well as clearly drawing on her tenure as a Play School host. She brings to life the various characters, especially her memorable Sea Witch, and tells the story in a manner sure to captivate children whilst still managing to hold the attention of the accompanying adults. With the occasional use of a shawl as a versatile prop, Mailman masterfully weaves this tale in perfect compliment to the music.
The tale, for those unfamiliar with the original, is a fair side more intense than one might expect, as indeed are many of Andersen’s originals before being watered down by subsequent adaptations. Nevertheless, parents should be forewarned that children already closely acquainted with other versions – in particular the Disney film – may need to furnish some explanation regarding the differences between those and this somewhat downbeat, more metaphysical ending. Who knows, it may provide an interesting introduction to the concept of adaptation?
The Little Mermaid is a delightful production for young and old, a wonderful fusion of sound, voice and light, all coming together to tell a classic and moving story. Highly recommended for children, and to anyone with an appreciation of well-told fairy tales.
Sydney Opera House presents
The Little Mermaid
Venue: Concert Hall, Sydney Opera House
Dates/Times: Saturday 2 and Sunday 3 May at 10am, 11.30am & 2pm. Monday 4 May at 10am
Tickets: Tickets $26, Groups of 10+ $22
Suitability: Ages 4+
Duration: 40 minutes
Bookings: (02) 9250 7777 or sydneyoperahouse.com
